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Soren's eye? |
a series overall has taken the popular and overused "Zombie Sub Genre" and turned it on its head to create something interesting and endlessly shocking. We see this couple complaining about the woman's cooking and as the two fight offscreen, the camera reveals a person's eye ball in their food (perhaps skipping breakfast before the show was a good idea).
It's "Day 9" and our beloved fugitive Alan has overslept in the woods during the team's hunt to find a cure. It's a good thing because now we get to see a familiar face from the first season. As Alan wanders in his dream, we see Dr. Doreen Boyle sitting down practically telling Alan that he's dreaming. Interesting that he'd dream up of Boyle as she hardly made it through the first episodes of Season 1, but perhaps they were close friends before the chaos started. Like I said in a past episode review, I would love to see a mini series or flashback heavy episode of when the team was together fighting viruses around the world before that Arctic BioSystems call that started the show's story. That way moments such as these would have a little more weight to it than simple nostalgia. I really did love these scenes between the two as Boyle would poke fun of Alan's beard as well putting him on the spot about his so called mission. Knowing that this is all in Alan's head, one would have to question if Alan is finally realizing how far he has gone as well as what he really wants at this point. Much like Boyle says to him "Sounds like you're a man in search of a mission". It's also noted that Alan finds comfort in seeing a part of his old life before he became what he is now. Just little subtle details such as Alan laughing after Boyle tells him about his beard as well as the simple fact that he didn't push her away.

As Peter meets up on the roof to find Anne standing on the edge, he tells her that she shouldn't blame herself for her daughter's actions. At first I thought I was watching a suicidal attempt taking place, but then I realize that this entire scene was was the beginning of another character transition. Anne tells Peter about her entire life being Michael's pawn and never having a voice to the community unless it was repeating Michael's words. It was the moment when she yelled back at Peter in the pit that made her realize how safe she felt around him and the fact that she does indeed have a voice. Thinking back on that episode I do believe her exact words to him was "I have a voice!", so it does perfectly fit with that scene. I guess it won't be one of my episode reviews if I don't praise the writing a bit, but I am constantly surprised on how much this show can keep up with its many character arcs. Honestly, the writers would plant this little seed of potential in an episode and know exactly when to have it sprout in the nick of time. It's an accomplishment for any show to constantly keep a progressing story with their characters and never dragging onto something unnecessary. One of Helix's best attributes is in its sense of transition and Sister Anne is this episode's example of that. Not only does she begin to take initiative in coming up with a plan to take the Abbey back, but we also see the potential spark of a relationship between the two beginning. I'm usually the guy who complains about relationship stories getting in the way of better things on a show, but this is one that I wouldn't mind seeing take place depending on how they execute it. The fact that they're both from completely different sides of the world in their backgrounds would make things quite interesting in itself. There's this dreamed up image floating around with that idea of having Peter show Anne around a big city as she tries to comprehend the many sights. It would make for quite the romantic comedy, but this show has never come across as a humorous love story, so I should probably put that picture to rest. As Anne tells Peter "Amy may have control of the Abbey, but I have...", I was thinking she was referring to the "Mother" tree as revealed later in the episode, but we'll have to wait and see I guess. With Peter finally getting a signal on his communication device, he tells Anne that the answer to their problems have finally come to the island.
Speaking of character relationships, we finally see Julia making her to the island in present day, but with Sergio along the way this time. Honestly, I wasn't 100% on the whole time shifting direction when the season started, but as some of the greatest television series has taught me, "If you trusted the writers up to this point, keep an open mind for the future". With Julia jumping timelines in the story, we get great moments such as her looking over the cliff foreshadowing what we already saw in the last episode. Also hearing the two talk about not knowing what kind of guy Michael is puts a question mark on what will happen to the two knowing that Julia faces him in the future. It's a great use of time traveling for the audience when the characters in the story cannot. We may know the fate of some characters, but the journey to reach that point still remains a mystery worth looking into. It's also great to see Sergio again (why of course he has a gun). The little bit we see of the two figuring out how to get in without getting possibly killed is pretty funny as Sergio decides to simply knock on the door. It made me imagine how entertaining it would be to watch these two undergo their mission for an entire episode constantly running into hilarious and dangerous obstacles. With the series always switching through its many characters, I always feel like even the smallest of character stories deserves their own full episode. That just reconfirms that the writers do pay attention to every one of its assets thoroughly. As Peter answers the knock, we get a very small reunion with the three characters which is then halted by Anne. When Julia asks who's in charge being that Michael is missing, it's worth noting that Anne pops up without saying that she is. It's the timing of her presence that suggest her possibly taking over Amy in a future episode (or I may just be looking into it a bit too much).
Continuing from last week's surprise ending, we see Sarah attempting to take back her baby, but is eventually caught by Amy and Landry. If you've read my reviews in the past, you know that I completely hated the Landry character especially with the episode intro that they give him. After watching the many scenes with him and Amy in this episode, I began to finally see where he fits in with her character. As obvious as it is, Landry is her powerful henchman, but what makes him a little bit more that is being her physical edge among everyone else. It's sort of like the way Bane is used in "Batman and Robin" (yes I'm aware that I just used Batman and Robin as a comparison with Helix) alongside Poison Ivy. Our heroes can without a doubt take her down, but is the presence of this big lumbering figure alongside her at all times that seemingly gives her the edge over them. So as the perfect henchman that is used to boost the image of the villain, I can finally appreciate Landry's role on the show.
As Amy brings Sarah's baby in front of her, she repeats the offer about immortality being the trade off for her baby. You can see the desperation on Sarah's face overtime Amy teases the idea of killing off the baby. A great villain is one that can always have an edge over the hero, so in this case the fragile life of Sarah's baby is Amy's villainous tool. It's also worth pointing out that the baby only has a few weeks to survive in Michael's synthetic womb creation making things even more tensed for Sarah. There's these moments where Amy would flick the jar or tilt it on the edge of the table just to get what she wants out of Sarah. In a past episode she stated that they would never harm a baby, but all is forgotten when she puts Sarah in a very tight spot of decision making. After asking how she became immortal, Sarah tells her about having it passed to her before she almost died (which is interesting to know that Julia is on the island now). After speaking about the highly dangerous procedure used, Amy jumps to it without hesitation despite Sarah's warning of needing Peter or Alan. Amy's impatience and desperation to become better than Michael is almost perfectly set up to be the one thing that will cause her downfall. It makes me wonder how they will handle her character in the future and if she will indeed become immortal. I have a few different theories myself, but we'll see how things turn out. As Sarah leaves them, she concocts a mysterious solution after taking one of the plants from Michael's (or Amy's now) garden. This most likely being something very poisonous to kill her with, we're beginning to see Sarah go down this dark path to get her baby back. I really like her character as being the symbol of genuine "good" on the show, so I'm curious to see how far they take things with her.
Finding out that one of Winger's men has been murdered, Alan, Kyle, and Winger's squad continue their dangerous journey in the woods to find a possible cure for the infection. As they come across a hanged rabbit, Kyle gets distracted by the sight of Soren in the distance. After being lured in by Soren, we see the infected man from the intro kidnap him (memories of "The Hills Have Eyes" sparked up in that scene for some reason). How many times must Kyle get messed up by infected and manipulated people on this island? I swear almost every episode review has a statement about Kyle running for his life or barely making it out alive from a vicious attack. Here we have him kidnapped, tied to a table, and surrounded by the crazy couple from earlier. Looking at that cabin setting reminded me of something out of a fantasy horror film as everything looked very medieval and savage-like. There's also the body parts hanging from the ceiling as a nice little bonus. The set designs have always been great in my opinion on the show so far even though there isn't much variety alongside the obvious switch from Season 1 to Season 2's setting. As the couple shows us why Kyle has the worst luck by threatening to eat him, showing him the eye balls of their last victim, and most likely housing him in a awfully smelled room, Kyle finds a way to exploit their constant nagging with each other. He also speaks to Soren who then reveals the sap from "the bleeding tree" to be a cure for the infection. As I said, the writers do a great job at planting little seeds that will become something more significant in the future. I honestly forgot about Soren and considered him either dead or forever gone, but now he revealed the possible key to end one of this season's biggest evil. Soren also reveals that the couple ate one of his eyes and threatened to eat the rest of him if he didn't cooperate with them. In a way the season has slightly shifted in setting and atmosphere as the woods itself feels like its own world.
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"Pigs get fed" |
Following up on Sarah's surgical procedure with Amy, we get a spine tingling (no pun intended) scene of Amy attempting to extract Sarah's spinal fluid. As Sarah painfully guides her on where to place the needle, I kept flashing back to my fail attempts of playing "Operation" as a kid. Hating the sight of needles, I wanted Amy to hurry up and get what was needed already. Especially the moment where she accidentally hits a nerve, I could feel Sarah's pain (immortal or not). Eventually, she gets the fluid, but immediately becomes paranoid by the thought of Sarah tricking her as Sarah gets the syringe that we know holds the mysterious poison. Landry then decides to become the guinea pig for the procedure in Amy's protection which puts more tension on the situation. As Sarah unfortunately uses Landry in the procedure, something happens within his body causing him to erupt in a body spasm. This causes Amy to lose all trust in Sarah locking her up in the room with Landry. As Amy leaves with a threat to kill Sarah's baby, we see Landry slowly deforming in the face as his body uncontrollably spas out. What happens next to him is a mystery, but I'm a little more interested in what will happen to Sarah and her baby.
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"What head wound?" |
As Julia opens up one of the infertility fruits given to her by Anne, she realizes the lack of seeds which goes against the idea of planting more for the human race. This of course leads Anne to reveal the tree in which they call "Mother" (which would explain the cult's tree symbol) as being a plant that Michael discovered by accident after seeing that it survived a plant killing fungus by absorbing it. Also discovering the plant's fruit baring attributes causing mortal men to lose their ability to bare children. As Anne takes them to the tree's location, she discovers it to be missing which can imply that Amy may have taken it. That or Michael might've moved it to a different spot as a precaution before Amy took advantage of him. I'm leaning towards the Amy direction myself as it would make sense for her to want more power over the Abbey. What better way to control of a community than to hold its most precious item for herself.
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I think the writers hate me |
Things To Point Out:
1. Landry's Death? Or Something Else?
2. The Bleeding Tree
I think I need to re-watch this episode to really enjoy the eyes-eater savages and all this stuff. I was more interested in what we've seen about the characters.
ReplyDeleteSister Anne was wonderful in this episode. Just like you, I thought she was about to jump and kill herself but not at all, she was merely enjoying the view, standing on the edge, fearless. She was passive for so long that I had nearly forgotten how she was when first introduced to us. Her giving Julia her « I can see through your lies » treatment ( especially “this” hothead current timeline Julia ) was priceless. Then Anne taking Julia's hand to lead her into the abbey was extremely powerful, so full of meanings. It was like she was inviting a “new god” into her home, what is basically the case... You can't help but have a very bad feeling about it. It's like the last character has finally entered the scene for the last act of the unavoidable tragedy. I mean, we know that things will take a turn for the worse but there are all kind of "worse"... What did you think about this scene in particular ?
I was so focused on Julia in the flash forward storyline that I didn't put too much thoughts about a potential reunion with the other characters in the present. So far, we've seen Julia standing her ground at Ilaria. Calling Peter a pig was the first time we got a “post-Arctic Biosystems”-reaction. I find it a little hard to follow Julia's subtle changes. In the future, 30 years have passed since the Arctic so we can't really expect any major distress about her mother's death and other things along the line... Now that we've seen her so... how was she is this episode anyway ? Cold ? Hotheaded ? Pissed ? Well... it's weird to realize how soft she is in the future.
Peter's scenes were quite interesting too. I kind of liked ( though it's half calculated ) how empathic he was towards Anne, seeing it as the last remaining good part left in him but we can definitively see a pattern there. It's like I can picture how it went down with Julia. He is drawn to screwed up, distressed women so he can play the nice understanding man who stood by your side in time of needs... God, those characters are messed up.
It was nice to see Doreen again. It was a bit cliché but I'm half buying this Alan, back on his feet, thanks to the Power of Friendship kind of thing.
Yeah seeing Alan back on his feet is great and much needed at the moment. I'm a HUGE fan of the fugitive on the loose killing immortals Alan, but even I needed a break from all of that. It's good to see a hero go through dark times, but eventually rise back up to where he belongs. Julia at this point (personality-wise) is a mixed bag in terms of what her character actually conveys. Meaning she is most likely trained to be a cold-hearted person, but a little sympathy slips out here and there. That's how I see it anyway. She's still a good person, but years with Ilaria has possibly made her one sided with certain things as well.
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